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Ugramm - 2014 DD 5.1 DVD $19.99

Ugramm - 2014 DD 5.1 DVD

This is a landmark gangster film that balances commercial elements with a stirring screenplay. It stands out as a perfect summary of lead actor Sri Murali’s screen image as a tough but soft-hearted hero through his role as Agastya. Ugram manages to set a new standard in Kannada film for on-screen violence.

Movie : Ugramm (Anger)
Year : 2014
Banner : Inkfinite Pictures
Cast : Sri Murali, Haripriya, Avinash, Jai Jagadish, Padmaja Rao, Atul Kulkarni, Thilak
Music : Ravi Basrur
Lyrics : Ram Narayan, S Sarvesh
Story : Prashanth Neel, K Ram Sri Lakshman
Direction : Prashanth Neel
Producer : Inkfinite Pictures
Genre : Action Thriller
Runtime : 131 mins
Release Date : 21 February 2014

DVD Features:

  • Anamorphic Widescreen Enhanced (16:9) DVD
  • High Definition Video
  • English Subtitles
  • Dolby Digital 5.1 Surround
  • DVD Text
  • Jacket Picture
  • NTSC - All Regions
  • Interactive Menus of Songs & Scenes for Easy Access

Plot

Nithya (Haripriya), who is based in Sydney, comes to India to pay her respects at her mother’s grave. To her shock, she is chased by gangsters who want catch her alive. Nitya is saved by Agastya, a mechanic. Time and again, Agastya is trailed by gangs who attempt to kill him and abduct Nitya, but all of whom fail badly.

Nitya is charmed by Agastya but is shocked to learn about his past. Agastya’s real identity and the secret to why he strikes fear among many dons is revealed in a brutal second half.

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Douglas DB
Friday 13 February, 2015
Ugramm

Review
First of all the filming I found unsatisfactory. It is sometimes said in the theatre, that if the lighting is good, you should not notice it. I disagree, but then I have a particular interest in stage-lighting. Film-makers normally go to great lengths in lighting - when shooting outdoors, and particularly in bright sunshine, they use fill-in lighting to illuminate the shadows. In this film, they have not done so, and as a result a lot of the scenes, particularly at the beginning of the film are dark, and in interiors, there is often no lighting at all, other than from windows. This is the effect you get in "reality" TV shows, where, for example, they follow police in action in events that take place at night. In contrast, the lighting is better in the songs, and you will see the sunshine highlighting the hair, whilst the faces are well-lit. One brief example of excellent lighting is the first few seconds of the second song, the scene with Agastya and Nithya.

Secondly, The story-line is difficult to follow. Nithya (Haripriya) arrives in India from Australia, finds that she is the taget of would be assassins, and is recued and kept safe by Agastya (Srimurali), who is obviously used to fighting successfully against many attackers. It is adequately explained why she is being targeted. But then it becomes confusing, when we learn about Agastya’s past as a top gangster or rowdie. Many people are introduced in this section, making it difficult to follow, and I found the violence sickening. I eventually I came to the conclusion that it did not really matter too much who was who – they were all equally bad, including Agastya, who had murdered many people for Bala (Tilak Shekar), but who finally prevented the murder of a woman.

I will not comment about the ending, suffice it to ask whether someone as bad as Agastya was as a gangster, can reform, and become a good person, and live without any expiation for all the murders he had committed. There was a fight scene with rwhere Agastya had a bleeding injury on his forehead above the right eye, which mysteriously healed later in the scene!

With regard to the acting, everyone was superb, particularly Sri Murali as Agastya and Haripriya as Nithya, and Padmaja Rao as Agastya’s mother.

In contrast to the violence of the film, there was tenderness in songs one, two and four.

1 star.

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